Last month, the lead vocalist of System of a Down, Serj Tankian, hosted an art exhibition with the non-fungible token (NFT) platform and marketplace Curio NFT. The physical and virtual-melded art show was called “Not for Touching” and this week Tankian told Bitcoin.com News that he believes NFT technology has opened new doors for his artistic expression.
This week Bitcoin.com News chatted with System of a Down’s (SoaD) lead vocalist, Serj Tankian, about non-fungible token (NFT) tech and how it has given him the ability to express his art in a new way. In December, Tankian and Curio NFT hosted an art exhibition featuring the artist’s NFT artwork called “Not for Touching.”
Tankian has been an artist for years, but NFTs has given the SoaD singer a new way “to affect multiple senses simultaneously” and he stressed that he’s always interested in having “a stronger impact artistically.” The following is an in-depth discussion with SoaD’s Serj Tankian that Bitcoin.com News recorded on January 5.
Bitcoin.com News (BCN): You’ve recently stepped into the world of NFTs. Can you tell our readers how you discovered NFT technology?
Serj Tankian: I discovered it by reading the news. Seeing how different artists were releasing NFTs. We were remodeling the house and I had a lot of reading time, and I was like ‘wow this is really interesting.’ Since I’ve been doing art for a number of years, musically connected art, I thought ‘wow this could be a new platform for what I am doing.’ So that’s where the connection of the idea came into play.
BCN: Recently, you hosted an art show called “Not for Touching” with Curio NFT. Can you tell our readers about this event and how it went?
Serj Tankian: The event went really well, they set up a virtual gallery which was really interesting for me. To be able to kind of go into this gallery and see my pieces, which were NFTs of course, and be able to view them, listen to them, and see details on them. Then walk the other way and see another NFT work on another wall. It was really cool, the setup was really nice and it’s kind of my first dive into this world as an artist.
NFT art by System of a Down’s Serj Tankian.
I’ve always been interested in the ability to affect multiple senses simultaneously, as a way of kind of having a stronger impact artistically. I did that with my art in music, which we call “Eye For Sound.” We use an app that does optical recognition and you walk into a physical gallery and you are able to listen to each of the paintings with a smartphone or earbuds.
It’s like an immersive experience and with NFTs the ability to make that painting actually physically come to life utilizing animation and digital painting. Like my good friend, Roger Kupelian, who has worked on Lord of the Rings and many many films, his paintings come to life with the music in the background. So I am really excited about it because the product came out really incredible.
BCN: Do you collect any other assets from specific NFT collections?
Serj Tankian: I have not so far. To be honest, I am not a large physical art collector, even though I produce physical art. I do have some paintings by some good friends. Maybe it’s the fact that I am in some ways a minimalist. I don’t like clutter, even on a hard drive. I have a lot of friends who are collectors and they love collecting art, collecting things, NFTs, and I’m just not a collector. I am an artist, I produce.
BCN: Do any of the other System of the Down bandmates like NFTs?
Serj Tankian: I haven’t actually asked them. I am not sure any of them have bought any. I would doubt it, but maybe Shavo (SoaD bass player Shavo Odadjian), because he’s very tech-friendly and versus the other guys. So possibly Shavo, but I am not sure.
Tankian thinks that how humans come to an agreement on perceived value is a very interesting subject. He said whether it’s gold, diamonds, NFTs, or bitcoin that’s valued, it’s all about subjective valuations.
BCN: Why do you think NFTs are the “next step” in terms of artistic creation?
Serj Tankian: I was saying that statement is directed at me. Because it gave me a new platform to be able to add a dimension of experience that I hadn’t been able to add physically. That would be crawling into the virtual space in a way that I can make the paintings move, make them dance.
Where in the physical space, paintings are on the wall and they are not dancing, but the music-making you get into them, which is beautiful. But now I am able to fill in that space between the wall and the listener with NFTs. I look forward to finding more spaces, virtual or physical, to be able to interact further with multiple senses to increase the potency of the artist’s vision.